courtesy Massimo Iosa Ghini
courtesy Massimo Iosa Ghini
Italian architect Massimo Iosa Ghini shared with us their exhibition in Triennale di Milano.
The exhibition, curated by Iosa Ghini Associati, in partnership with Fiandre Architectural Surfaces, Iris Ceramica, Rossato, traces the 30-year of Iosa Ghini career, from the 80s until now, through a wide selection of interior design and architecture projects, design objects, illustrations, audiovisual contributions, which are characterized by the least common denominator of design, felt by the Bolognese architect as a steady training and an essential starting point of all his creative process.
courtesy Massimo Iosa Ghini
courtesy Massimo Iosa Ghini
In the seventies and eighties – affirms the same Iosa Ghini – mine was a great job of sign, based on exercise also manual exercise of design, until the consciousness of being able to transform a bidimensional scenario into a real one, able to provoke evocations, in objects also disconnected from my design training, such as glasses, tableware, ice cream carts, lamps.
courtesy Massimo Iosa Ghini
courtesy Massimo Iosa Ghini